Super

IFC FILMS, STEVE DIETL
Rainn Wilson is shown in a scene from "Super."

Available Aug. 9, 2011, on Blu-ray and DVD.

Superheroes have been deconstructed so much that it is practically its own genre at this point. In the tradition of such wildly different films as “Watchmen” and “Kick-Ass” comes “Super,” writer-director James Gunn’s independent feature mixing humor with disturbing acts of violence.

Frank (Rainn Wilson, better known as Dwight Schrute on “The Office”) is a good guy but a bit of a loser. He spends his days as a fry cook, and he’s experienced exactly two perfect moments in his life—marrying Sarah (Liv Tyler), a recovering drug addict, and helping a police officer catch a mugger. He’s so clueless that he doesn’t notice his wife slipping back into her old ways. When the man who steals her away from him, a drug dealer named Jacques (Kevin Bacon) who operates out of the local strip club, comes to their house looking for Sarah, Frank lets him in and cooks him breakfast.

Late one night, mired in depression, parked in front of the TV, Frank comes across the Holy Avenger (Nathan Fillion), a superhero on the religious channel. The Avenger comes to Frank in a dream, giving him all the inspiration he needs.

Cowboys & Aliens

UNIVERSAL PICTURES, TIMOTHY WHITE
Harrison Ford, left, and Daniel Craig are shown in a scene from "Cowboys & Aliens."

“Cowboys & Aliens”—just saying the title is fun, isn’t it? Too bad that’s the only real joy the movie offers.

How did it go so wrong?

James Bond (Daniel Craig) and Indiana Jones (Harrison Ford) team up. “Iron Man” director Jon Favreau is at the helm. It’s a mash-up of two of the most iconic genres.

Based on its credentials, boring probably is one of the last things one would expect it to be. But that's exactly what it is: a lifeless Western story injected with uninteresting sci-fi elements.

Craig is our hero, a literal man with no name when we meet him, waking as he does in the middle of the desert with no memory of who he is or how he got there, and a strange metal bracelet stuck on his wrist.

Horrible Bosses/Friends with Benefits

WARNER BROS. PICTURES, JOHN P. JOHNSON
From left, Jason Bateman, Charlie Day and Jason Sudeikis are shown in a scene from "Horrible Bosses."

Much has been made of the glut of R-rated comedies hitting theaters, with this year already seeing the highs of “Bridesmaids” and “Paul;” the lows of “Your Highness,” “No Strings Attached” and “Bad Teacher;” and the middle ground of “The Hangover Part II.”

Add two more to the high category—“Horrible Bosses” and “Friends with Benefits.”

“Horrible Bosses”" easily is the best of the bunch, with an ingenious though not quite original premise, genuine wit and a fantastic cast.

Nick (Jason Bateman, the best comedy straight man we have today) works for a man (Kevin Spacey, at his smarmy best) who all but promises him a big promotion only to later take the job himself. Dale (Charlie Day of “It’s Always Sunny in Philadelphia”) is a constant victim of sexual harassment by his boss (Jennifer Aniston, cast completely against type). Kurt (Jason Sudeikis of “Saturday Night Live”) actually enjoys his job, but that changes when his kindly boss (Donald Sutherland) dies and his maniacal, cokehead son (Colin Farrell, sporting a wicked combover) takes over.

Harry Potter and the Deathly Hallows: Part 2

WARNER BROS. PICTURES, JAAP BUITENDIJK
Daniel Radcliffe is shown in a scene from "Harry Potter and the Deathly Hallows: Part 2."

WARNING: This review may contain spoilers for previous Harry Potter movies.

It all comes down to this.

J.K. Rowling’s book is four years old, so millions already know how the story ends. But many do not, and even if you have that knowledge, it is an entirely different experience to see images and events previously confined to your imagination projected onto the big screen.

With the eighth film, the Harry Potter saga comes to an end, and this final picture assures it will go down as one of the great achievements not just in cinema, but all of popular culture.

Picking up where we left off last fall, “Harry Potter and the Deathly Hallows: Part 2” wastes no time in jumping back into the action, with Lord Voldemort (Ralph Fiennes) stealing the all-powerful Elder Wand from the tomb of Albus Dumbledore (Michael Gambon), while Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermione (Emma Watson) continue their quest to find and destroy the remaining Horcruxes, the items in which the dark lord placed pieces of his soul to attain his apparent immortality.

Through the years: Harry Potter on the big screen

WARNER BROS. PICTURES From left, Emma Watson, Rupert Grint and Daniel Radcliffe are shown in a scene from "Harry Potter and the Prisoner of Azkaban."

 “Harry Potter and the Sorcerer’s Stone” (2001)

The adaptation of the first book chronicles year one at Hogwarts School of Witchcraft and Wizardry for 11-year-old Harry Potter (Daniel Radcliffe), Ron Weasley (Rupert Grint) and Hermione Granger (Emma Watson). Tasked with introducing a boatload of characters and essentially creating the look and setting of the entire film series to come, director Chris Columbus has a lot of grunt work to do. His solution is to stay slavishly loyal to J.K. Rowling’s writing, resulting in a movie that is entertaining in fits but plagued by pacing problems throughout its 152 minutes. Like the book, it is the most kid-friendly entry in the series, even though the child actors are painfully wooden at times. Luckily, an esteemed cadre of British actors (including Richard Harris, Maggie Smith, Alan Rickman, John Cleese and John Hurt) classes up the entire production, and a typically brassy John Williams score enhances the excitement. Greg's Grade: C+

X-Men: First Class

20TH CENTURY FOX, MURRAY CLOSE
From left, Caleb Landry Jones, Michael Fassbender, Jennifer Lawrence, Rose Byrne, Nicholas Hoult, James McAvoy and Lucas Till are shown in a scene from "X-Men: First Class."

The ideas, themes and characters of “X-Men: First Class” feel fresh and relevant despite its position as the fifth film in the series and taking place in the early 1960s during the build-up to the Cold War.

The action actually begins in 1944 for brief glimpses of the children who will become Professor Charles Xavier and his archenemy, Erik Lehnsherr, aka Magneto.

We meet young Erik, who has power over metal, in a concentration camp in Poland and watch as a doctor, Sebastian Shaw (Kevin Bacon), murders his mother in front of him. Shaw then presumes to take the boy under his wing to teach him how to control his powers.

The telepathic Charles, on the other hand, lives in luxury, growing up in a palatial mansion and befriending a pretty, young intruder in his home who also happens to be a blue-skinned, shapeshifting mutant.

The Hangover Part II

WARNER BROS. PICTURES
From left, Bradley Cooper, Ken Jeong, Ed Helms and Zach Galifianakis are shown in a scene from "The Hangover Part II."

Did you enjoy “The Hangover?” Judging from the box office receipts, many of you did. So did the people who made it, so much so that they essentially made the same movie again and called it “The Hangover Part II.”

Before I get into what director Todd Phillips and company did wrong, let me say this: “The Hangover Part II” is consistently funny and entertaining. Leading men Bradley Cooper, Ed Helms and Zach Galifianakis easily slip back into their roles, and it is a joy to watch them play off each other.

It was their chemistry and the camaraderie of Phil (Cooper), Stu (Helms) and Alan (Galifianakis) that gave the first movie its heart. That and a wildly unpredictable story made “The Hangover” an instant classic and possibly the funniest movie of the past decade. Yes, it has its moments of shock humor, but it’s secondary to the characters and the plot.

Not so with “The Hangover Part II.”

Pirates of the Caribbean: On Stranger Tides

DISNEY, PETER MOUNTAIN
Johnny Depp portrays Captain Jack Sparrow, left, and Geoffrey Rush portrays Hector Barbossa in a scene from "Pirates of the Caribbean: On Stranger Tides."

You know the old saying “less is more?” I present to you exhibit A: “Pirates of the Caribbean: On Stranger Tides.”

Of course, it’s only within the context of this franchise that anything about this, the fourth movie inspired by the Disney theme park ride, could be considered “less.”

“On Stranger Tides” is nearly wall-to-wall action, with swashbuckling aplenty; daring escapes and rescues; zombie pirates; vicious mermaids; the British navy; the Spanish navy; and the Fountain of Youth.

But while parts two (“Dead Man’s Chest,” 2006) and three (“At World’s End,” 2007) were bloated, convoluted messes drowning in special effects, “On Stranger Tides” gets back to what made the franchise such a hit in the first place: Johnny Depp as the outrageous, flamboyant pirate Captain Jack Sparrow and action scenes powered more by impressive stunt work than computers.

Bridesmaids

UNIVERSAL PICTURES, SUZANNE HANOVER
From left, Melissa McCarthy, Ellie Kemper, Rose Byrne, Wendi McLendon-Covey, Maya Rudolph and Kristen Wiig are shown in a scene from "Bridesmaids."

More and more these days, you just can’t trust the advertising for movies.

Based on what you’ve been able to see of “Bridesmaids” so far, it probably looks like a “chick flick” or the female equivalent of “The Hangover.” The title gives the impression of an ensemble-driven movie.

Though there is a fine cast around her, “Bridesmaids” is principally a vehicle for Kristen Wiig, one of the most valuable performers in the current cast of “Saturday Night Live” and a frequent supporting player in big-screen comedies (“Knocked Up,” “Ghost Town,” “Adventureland,” “Paul”).

The movie, from a script by Wiig and Annie Mumolo and directed by “Freaks and Geeks” creator Paul Feig, isn’t really about a wedding, and it isn’t a wild, “Hangover”-style romp. Sure, it has some of the R-rated raunch typical of a picture from producer Judd Apatow—a dress-shopping scene in which food poisoning leads to vomiting and other unpleasant bodily functions easily springs to mind. But at its heart, this is a movie about friendship.

Thor

PARAMOUNT PICTURES-MARVEL STUDIOS, ZADE ROSENTHAL
Chris Hemsworth, left, and Natalie Portman are shown in a scene from the film "Thor."

As Marvel Entertainment ramps up for next year’s all-star superhero bash “The Avengers,” the trickiest part of the process is undoubtedly “Thor,” one of its lesser-known titles. If the name sounds familiar, that’s because this is the same Thor you might have learned about as a child, the Norse god of thunder.

Despite his superhuman strength, mighty hammer that only he can wield (and only after he’s proven himself worthy of it) and formal way of speaking, this Thor (Chris Hemsworth), when it comes down to it, is just a man, the son of Odin (Anthony Hopkins) and brother of the trickster Loki (Tom Hiddleston).

It’s a comic book movie with gods as characters, but “Thor” is, at its heart, the story of a father and two sons. Thor is the favored child, heir to Odin, the king of Asgard. But he is reckless and arrogant, his actions threatening to start a war with the dangerous frost giants.